Ten years sober today. Proof there’s such a thing as grace.
I don’t mind feeling older. It brings a liberating sense of honesty.
The desert is littered with bizarre facts, and I often think I invented them, like a fragment from a dream or a misremembered film.
Here in Las Vegas, we’re catching the faintest edge of the atmospheric river, a weather event that sounds like something from a fantasy novel.
In the grip of my delirium, I half-watched a lousy Netflix series that can be viewed in any order, which seems like a trial balloon for AI-generated entertainment.
C. and I rang in the new year at the top of Route 93.
My favorite albums this year sounded messier than in years past: scuffed and bruised yet defiant—which sounds like the future.
The unique scent of desert rain has a scientific name, petrichor, derived from the Greek words for stone and the blood of the gods.
Unlike the blank winter grays of the Midwest and East Coast, the clouds over Vegas are well-defined, painterly, and startlingly low.
Las Vegas feels like the future, but I’m also living in the past.
It’s the longest night of the year, and I went for my first Las Vegan run.
Billboards across the panhandle told me to find nirvana, win a free furnace, and invest in crypto.
As we pulled up to our ninth small tan house of the day, “American Woman” rocked the block.
As we consider each room, there is much discussion of orientation.
The Pacific Time Zone is turning me into a morning person, and I do not like it.
There’s something so tranquil about an illuminated palm tree. It’s a science-fictional kind of calm.
Warm Leatherette on repeat as we drive into Vegas.
Heavy art followed by a fingernail moon over the Rockies as we crossed the Continental Divide.
A lone tree becomes exciting. A sign for the National Agro-Defense Facility fires the imagination.
At Cracker Barrel, C. and I discussed Tristan Tzara, Model 500, Basic Channel, and vaporwave over Grandpa’s Country Fried Breakfast.
Making an oldies playlist like it’s 1995 and I’m smoking clove cigarettes while speeding down I-75 to the Packard Plant or Saint Andrew’s Hall.
Overpass graffiti, institutional fuckery, and a solid Joy Division cover.
The strike against nefariousness continues. Mastodon feels wholesome. Veronica Vasicka delivers another top-shelf playlist.
Cold running. Twitter might be dying. The Menu was an okay movie. Digital ghosts.
Five days until we drive into the desert. Illinois and Indiana look like fangs. I should go to bed.
Repetition on a grey November day.
It’s nice to have a new place on the map to romanticize. And William Gibson has nothing on the Catholics.
Good news: Wolf’s Kompaktkiste is still around. Bad news: I’m on strike.
Maybe one day we’ll reach a point when all possible frequencies have been recorded, every combination of words written.
Hopefully there won’t be too many outages on this station while I untangle my nameservers.
For weeks I’ve been grinding through histories of medieval Europe in search of a point of inspiration.
The pulse of distant highway traffic in the rain is the most soothing sound I know.
C. and I spent the afternoon in a dark gallery and tested how our video reflected off different surfaces.
I love driving at night. It feels like a video game.
Today I learned your gun permit is an acceptable form of voter identification, which feels almost too American.
This afternoon I idled behind a white Honda with a crumpled fender.
The end of Daylight Savings Time is my favorite holiday because it brings the night closer.
C. and I are trying to determine our best route to Vegas.
I’d like to live in a world of apologetic gods and talking satellites.
I’ve decided to embrace the upside of insomnia.
We often discuss what would happen if one of us saw a ghost. It might be the most fundamental test of any relationship.
You can almost taste it, that bright metallic sensation that floods the brain when it decides there will be no sleep tonight.
The mounted head of a deer gazed down at a golden Buddha and a silkscreen of Audrey Hepburn.
Above a shuttered rest area, a billboard announced “Jesus Christ is the Answer! Call Dan’s Windows & Flooring!”
Last week I logged into LinkedIn to hunt for some design work. Depression hit me in seconds.
I keep this one in my wallet.
Ohio. Sunset: 7:01pm. When I stepped outside this morning, I saw my breath—the first frost of the season.
Interstate Scene 14: “He thought it was a Civil War ghost,” she said. “But I didn’t start believing in ghosts until a few weeks ago.”
It’s the first of October, and I give praise for proper autumn at last. Deeper nights. Sharper weather. There’s room in the air to think.
Interstate Scene 13: A jumbotron flashed above an overpass, and I held my breath.
The action unfolds in hotel rooms and hallways, where the hum of the ice machine veers from reassuring to sinister.
Interstate Scene 12: Munching a cold french fry, I counted the logos flying around my head.
