
Instead of Disappearing Completely
An Alberta clipper shocked the metro area last night with six inches of snow. I crept along at twelve miles per hour in whiteout conditions, scrolling past spun-out cars as I headed to the superstore because I needed some peanut butter cookies and a case of Topo Chico to get the weekend started.
Fact: the Topo Chico that comes in clear glass bottles tastes slightly better than the tinted green bottles.
As the world becomes increasingly incomprehensible, I’m learning to find pleasure in the ultramundane and routine. My preferred table at the library. The Thursday night philosophy book club I’ve joined. In the evenings, C. and I watch Tokyo Vice, my new favorite show. It’s a slow drift with neon pouring down car windows and violent men with righteous hair, punctuated by delightful moments such as Ken Watanabe watching Full House with his family. And god, it makes me miss smoking. (This piece in Vulture is a good companion if you’re one of the five or six other people who watch it.) After I perform my nightly ablutions, I like to fall asleep to old documentaries about Rome. I fantasize about Rome and Tokyo, but right now, I’m happy where I am, existing in pleasantly neutral conditions that give my mind room to roam on the page.
My friend O. sent me a WikiHow tutorial called “How to Disappear Completely.” (He stumbled across it while searching for something else; he’s doing okay.) I can’t stop thinking about this article: the clinical tone without any trace of an author, the untalented illustrations in shades of pastel, the hard turn from “running away usually isn’t necessary” to “withdraw cash gradually from any bank accounts you have.” Beneath a lightbulb icon, there’s a tip to “make sure you have enough food and water with you.” This tutorial has been read over two million times and has three-and-a-half stars. I give it five stars as a creative writing exercise that lives in the genre of horror: an aggressively benign presentation that launches the imagination into frightening terrain.
At the superstore, a little girl said, “Most of the things on my street are dead.” I think she was talking about the trees in the winter, but what an excellent sentence to start a horror story or fuel an awful dream.
Kevin Richard Martin – To Disappear
Black | Intercranial, 2023 | Bandcamp
Kevin Richard Martin’s subterranean eulogy for Amy Winehouse. Boomkat described it as “the elegiac appeal of Bohren und der Club of Gore at a midnight crossroads with Rhythm & Sound,” which might be the Platonic equation for all the music I enjoy. This is a perfect late-winter soundtrack.
Tokyo Vice author, Jake Adelstein, did a podcast called The Evaporated on this subject. In Japan it’s called Jouhatsu and is common enough for there to be businesses that help people disappear.
Whoa, thank you for the link between this week’s seemingly random points of interest. (I’m struck by the fact that jouhatsu translates to ‘evaporation’, which sounds intensely poetic compared to ‘disappear’.)
How does season 2 compare to season 1? I liked season 1 but not enough to make me rush to this new one. I’m guessing I should?
I’m only two episodes into season 2: the first was a remarkable exercise in long-game storytelling that connected stray threads from the first season in a satisfying and surprising way that felt like the screws were really tightening . . . until the second episode, which takes a bizarre turn into a very low-stakes hour depending on your interest in motorcycle theft. But I’m mostly just tuning in for the aesthetics, so that’s fine by me.
I caught the an early episode from the first season of Tokyo Vice by accident one evening and was struck first by the cinematography (it ‘read’ like a movie and I was really surprised to see it was a TV series – and that neon glow!), as well as the fact that western actors were fluent in Japanese, which just seemed miraculous somehow. I really enjoyed the first season (often watched in on my long winter train rides home after dark, which felt perfect) and look forward to the new one washing up on these shores.
Delving into comments about ‘evaporation’ and wallowing in how on-brand this all is. Kudos for curating such a collection of vibes.